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Paul P. Perry

American pioneer cinematographer of the silent screen, often working on the films of the director George Melford. One of the first to experiment with colour.

Et billede af Paul P. Perry

Camera

1916

[ ] The Lash (Director of Photography)

1917

[ ] Lost and Won (Director of Photography)
[ ] The Ghost House (Director of Photography)

1918

[ ] The Bravest Way (Director of Photography)
[ ] Such a Little Pirate (Director of Photography)
[ ] The Cruise of the Make-Believes (Director of Photography)

1919

[ ] Told in the Hills (Director of Photography)
[ ] Men, Women, and Money (Director of Photography)
[ ] Pettigrew's Girl (Director of Photography)

1920

[ ] The Round-Up (Director of Photography)
[ ] Behold My Wife (Director of Photography)

1921

[ ] The Little Minister (Director of Photography)

1922

[ ] Singed Wings (Director of Photography)

1925

[ ] Waking Up the Town (Director of Photography)

1939

[ ] 24 hours free (Director of Photography)

1941

[ ] Last Refuge (Director of Photography)

1942

[ ] A Bride in Trouble (Director of Photography)

Crew

1916

[ ] The Thousand-Dollar Husband (Cinematography)

1917

[ ] Nan of Music Mountain (Cinematography)
[ ] What Money Can't Buy (Cinematography)

1918

[ ] Sandy (Cinematography)

1920

[ ] The Sea Wolf (Cinematography)

1921

[ ] The Outside Woman (Cinematography)
[ ] The Jucklins (Cinematography)

1924

[ ] On the Stroke of Three (Cinematography)
[ ] Life's Greatest Game (Cinematography)

1925

[ ] Souls for Sables (Cinematography)

1929

[ ] Love In The Desert (Cinematography)
[ ] The Air Legion (Cinematography)

1941

[ ] La hora de las sorpresas (Cinematography)

1942

[ ] Concierto de almas (Cinematography)