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Born in 1925, Ed Emshwiller studied graphic design at the University of Michigan and L'Ecole des Beaux Arts in Paris. By the late '60s Emshwiller was working as a science fiction illustrator, and had established his place in the American avant-garde cinema with such works as Relativity (1966) and Image, Flesh and Voice (1969). His early films featured collaborations with dancers and choreographers—a theme he carried over into his videoworks. As both an artist and a teacher, Emshwiller’s pioneering efforts to develop an alternative technological language in video were enormously influential. His early experiments with synthesizers and computers included the electronic rendering of three-dimensional space, the interplay of illusion and reality, and manipulations of time, movement, and scale that explore the relationship between "external reality and subjective feelings." Emshwiller was among the first artists-in-residence at the TV Lab at WNET, where he produced the groundbreaking Scape-mates (1972). Sunstone (1979) was made over a period of eight months at the New York Institute of Technology. Emshwiller passed away in 1990 and an extensive collection of his work is housed by Anthology Film Archives.

Et billede af Ed Emshwiller

Directing

1956

1958

1959

1960

1963

1964

1965

1966

1967

1968

1969

1970

1971

1972

1973

1974

1975

1976

1977

1978

  • [ ] Dubs (Director) 

1979

1984

1987

Camera

1962

1963

  • [ ] Totem (Director of Photography) 

1966

1967

1974

Writing

1972

1979

Sound

1970

  • [ ] Report (Sound Recordist) 

1973

Crew

1962

1963

1965

1969

1970

  • [ ] Carol (Cinematography) 
  • [ ] Report (Cinematography) 

1971

1973

1976

1980

Editing

1962

1963

1970

1976

Art

1962

Actor

1963

1966

1968

1973

1975

1976

1985

1997